
『Angular mode』

BRUSH 髪の館
柴田 衣美子
(SHIBATA, Emiko)
OKAYAMA
DA -PHOTO WORKS- List
REALITIVE
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『Skater』
PATCH HAIR
松垣 智大
(MATSUGAKI, Tomohiro)
FUKUOKA
-
『荊棘』
Commune
関口 和行
(SEKIGUCHI, Kazuyuki)
SAITAMA
-
『CHOKUSEN』
LIPPS
矢崎 由二
(YAZAKI, Yuji)
TOKYO
-
『境界線』
ウツワutuwa
黒須 光雄
(KUROSU, Mitsuo)
塚本 麻貴
(TSUKAMOTO, Maki)
TOKYO
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『「I am」』
bianca
岩田 和博
(IWATA, Kazuhiro)
KANAGAWA
-
『Fish fin hair』
エイティーンインターナショナル
天野 裕介
(AMANO, Yusuke)
AICHI
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『authentic』
HAIR'S Lunetta
野間 祐樹
(NOMA, Yuki)
OSAKA
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『80's PUNK』
LILAC
大石 卓也
(OISHI, Takuya)
EHIME
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『Pure Fantasy』
Daisy
矢冨 カレン
(YATOMI, Karen)
FUKUOKA
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『ベリーボブ』
Lilu
クロカワ ケンタ
(KUROKAWA, Kenta)
FUKUOKA
-
『The Dry』
Pluss teru biyousitsu
いけのの 晃正
(IKENONO, Terumasa)
FUKUOKA
-
『カメレオン』
STORE
澤田 秀人
(SAWADA, Hideto)
FUKUOKA
AVANT-GARDE
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『Angular mode』
BRUSH 髪の館
柴田 衣美子
(SHIBATA, Emiko)
OKAYAMA
-
『白と黒』
Arrows
山﨑 真
(YAMAZAKI, Makoto)
IWATE
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『modernism』
M.SLASH
大友 忠
(OTOMO, Tadashi)
TOKYO
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『絶対零度』
MaNO
Ushi
TOKYO
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『avant-garde』
Neolive
村山 武
(MURAYAMA, Takeshi)
伊関 佑夏
(ISEKI, Yuka)
TOKYO
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『Tamago』
TORE
飛川 淳治
(TOBIKAWA, Junji)
GIFU
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『ラジカル』
ver
松本 恭明
(MATSUMOTO, Yasuaki)
GIFU
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『パワーロマンティック』
rite
齋藤 雅仁
(SAITO, Masahito)
SHIZUOKA
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『roll』
Montee Levee
星野 寿子
(HOSHINO, Hisako)
MIE
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『Oddball』
VANCOUNCIL
萩原 和樹
(HAGIWARA, Kazuki)
MIE
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『70's』
riff design labo
尾上 大介
(ONOUE, Daisuke)
OSAKA
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『静』
UniQ
小笹 恭嗣
(KOZASA, Kyoji)
OKAYAMA
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『ADDICTION』
maruni hair
LEE
KOREA
選考デザイナーコメント
ASCH OBAYASHI, Hiroyuki
I could feel the "desire to create such a work!". It is a work that was born from a feeling of straightness that does not look odd at all. It was a work in which "quality" that is unusual for "avant garde" could be felt.
MINX OKAMURA, Takahisa
It is a high-impact design that is reminiscent of the image of the 80's. The composition is well balanced and it is a work with high fashion sense.
kakimoto arms KOBAYASHI, Tomohiro
As there is an assertion on the form, the balance was interesting even from a distance. The balance of the costumes and the composition was also cool!
snob TAMAKI, Asuka
Rather than first impressions, it seemed like the more I looked at it, a sense of particularity could be felt, and my heart was gradually captured. Although the out-form is impressive, I felt an attractiveness and a sensibility in the way the face of the model appeared and with the in-form. The appearance of skin from the facial area to the neck, and the gentle curves of the bangs and the balance of the glasses and the collar, which could not be seen if it was slightly distorted, had an exquisite feeling of comfort and a sense of incongruity. As the costume and hair was fashionable, I also thought it would be a new balance, even if the edges were not shown I thought it would result in a new balance.
artifata CHIKA 氏
The only work in the monochrome and two-dimensional world!There was an overwhelming presence unlike anyone else. The power of simplicity was gleaming.